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Discover the world of Liliane Tomasko’s artistic practice through her insightful essay delving into her distinctive formal approach to painting and the nuanced choices that define her unique visual language.

As part of our Response Series, The Douglas Hyde is delighted to announce a Writer’s Response where curator and writer Ingrid Swenson will respond to the work of Siobhán Hapaska and her exhibition Medici Lion.

As part of our Response Series The Douglas Hyde is delighted to share Cairo Clarke’s response to the work of Alice Rekab within the exhibition Family Lines. ON BECOMING formalises concepts of belonging, identity and embodiment. The response takes a material form in three parts: a PDF file, a double sided A3 poster, and double […]

When I visit a show I want to write about, I have to spend a long time with it if I’m going to write about it in any meaningful way. I pack my bag with my supplies: my notepad, my pencil and two pens, a black one and a blue one. Despite its unassuming tools […]

Using key critical ideas presented by the exhibition programming, the Response Series presents experimental and transdisciplinary collaborations between exhibiting artists and other artists, writers, researchers or experts. On this occasion, we invited Dean Kissick, writer and New York editor of Spike Art Magazine to respond to Yuri Pattisson exhibition the engine. The collaboration between Dean […]

Dr Andrew Jackson  responds to Steve Bishop’s exhibition Security (2020) with an essay titled “Us and Them” found below.

Artist Tiffany Sia presents a response to Yuri Pattison’s solo exhibition the engine. Weird Times is a chapbook by Tiffany Sia and Yuri Pattison on time-telling and hegemony. Featuring writing by Sia and images selected by Pattison, it is a brief history on the development of time-keeping technologies. While SEA – SHIPPING – SUN, a meditation on maritime trade routes, is a […]