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Croquis

Painted Tie Designs

‘Croquis’ are sketches, intended to show design ideas. These particular pieces, with their intricate Art Deco and Art Nouveau patterns, would have been processed through jacquard weaving machines, reduced in size and repeated many times to create the patterns for smart neckties. The small and intricate gouache on paper paintings date from the 1920s and 1930s. Originally from Germany, they were sourced from the office of a retired tie manufacturer in New York City.

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Credits

Upcoming Exhibitions

Amanda Coogan in collaboration with Alvean Jones and Lianne Quigley with Dublin Theatre of the Deaf and the Centre for Deaf Studies
Freude! Freude!

The Douglas Hyde Gallery of Contemporary Art is excited to present a new work by renowned performance artist Amanda Coogan, Deaf artists Lianne Quigley and Alvean Jones with Dublin Theatre of the Deaf (DTD) and students from the Centre for Deaf Studies (CDS) at Trinity College Dublin. Freude! Freude! is a live exhibition, an embodied performance and installation which translates Ludwig van Beethoven’s Ode to Joy chorus into Irish Sign Language (ISL) and reinterprets the entire symphony through the lens of the Deaf experience. Using ISL as a choreographic language, Coogan, Quigley and Jones have worked with DTD and students from the CDS to produce an aural, visual and immersive feast that will be presented through a series of performances and exhibition installation.

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