FAMILY LINES is a multi-platform project by artist Alice Rekab in collaboration with Éireann and I: A community archive for Black migrants in Ireland, and with contributions from Holly Graham, Salma Caller, Larry Achiampong, and Cypher Billboard, London. FAMILY LINES explores experiences of migration and survival within the family unit, and focuses on Black and Mixed-Race […]
Eoin Mc Hugh
In his 1920 essay, ‘Beyond the Pleasure Principle’, Freud recounts the details of a game played by his infant grandson. Though close to his mother, the child rarely complained when left alone and instead played contentedly with his toys. One such toy was a spool tied with string, which he would throw out of sigh, uttering a drawn-out ‘o-o-o-o’ sound, which the family understood as ‘fort’, the German for gone. He would then quickly reel the spool back in, crying out ‘da!’ – there – as it came back into view. In this game Freud saw a disturbing compulsion that was linked to the early recognition of separate internal and external worlds.
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