Before the 20th century there was little commercial demand for Berber textiles outside of Morocco, and they were mostly made by women for domestic use, as bedding or blankets. Variations in style across different ethnic groups can often be attributed to practical concerns such as the climate. In the Middle Atlas, for example, a mountainous region with extreme conditions, weavers tend towards the warmth of high pile carpets. In more clement areas, one finds a fine weave and low pile. Generally, the designs are striking and simple, with patterns or symbols floating on a white or cream ground.
This selection, which includes rugs, a woman’s ceremonial headscarf, and a saddle cover, was compiled by Gebhart Blazek, with whom the Gallery has previously collaborated.
Culture Ireland and The Arts Council / An Chomhairle Ealaíon present Isabel Nolan’s commission for the Irish Pavilion at the 61st International Art Exhibition — La Biennale di Venezia running until Sunday 22 November 2026.
Acknowledging the crucial role artists play in influencing and shaping other artistic practices, The Artist’s Eye series asks those exhibiting in Gallery 1 to invite an artist of influence to present work in Gallery 2. In this instalment, Edith Karlson has invited artist Olivia Normile.
This winter, The Douglas Hyde is delighted to present Well, well, well, the first solo exhibition in Ireland by Edith Karlson. Her practice has established her as one of the most compelling sculptural voices in Europe today, following her acclaimed presentation representing Estonia at the 60th International Art Exhibition – La Biennale di Venezia in […]
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