109-day weekend


Announcing
2025 Exhibitions
The Douglas Hyde Gallery of Contemporary Art is thrilled to share our programme of exhibitions in 2025, presenting six solo exhibitions by leading Irish and international artists alongside a dynamic programme of talks and events.
Yuyan Wang
#16161D
14 March –25 May 2025
Opening Thursday 13 March, 6pm
Artist Talk, Saturday 15 March, 3pm
This Spring, The Douglas Hyde is delighted to present the first solo exhibition in Ireland by artist and filmmaker Yuyan Wang. Working primarily in film, Wang excavates the vast landscape of digital imagery, distilling hours of found footage into compelling films. Through her rhythmic editing, and punctuated by distinct soundtracks, Wang deconstructs and recontextualises images to consider ideas of extraction, production and waste.
The title of the exhibition #16161D refers to the HEX or colour code for ‘intrinsic grey’ – the uniform dark, grey colour that people see in the absence of light, for example, when we close our eyes. Through key works presented in #16161D including Look on the Bright Side and Green Grey Black Brown, Wang considers our ability to absorb and metabolise a constant stream of visual information, from the spectacular to the disastrous.
For her exhibition at The Douglas Hyde, Wang presents existing film works alongside new works in progress in an immersive installation that spans Gallery 1. Shifting in scale between the intimate and the immense, the work reflects the clash between the destructive impact of humans on the natural world, and our own fragility in the face of nature.
Acknowledging the crucial role artists play in influencing and shaping other artistic practices, ‘The Artist’s Eye’ series asks those exhibiting in Gallery 1 to invite an artist of influence to present work in Gallery 2. In this instalment, Yuyan Wang has selected artist and collaborator Raphaël Hénard.
Mohammed Sami
To Whom It May Concern
13 June – 14 September 2025
This summer, The Douglas Hyde will present To Whom It May Concern, the first solo exhibition in Ireland by artist Mohammed Sami, bringing together a group of major new canvases, alongside a selection of paintings made over the last five years.
Mohammed Sami is a painter. Working directly onto canvas with brushes, pallet knives and spray paint, Sami creates textures, surfaces and details building the composition as a whole. Mining personal experiences to ground his work and influenced by Arabic literature and poetry, Sami replaces images of trauma with oblique references to loss or conflict. Although absent of the human form, the settings, everyday objects, and banality in his paintings convey traces of human presence. He uses medium, scale, and title, each cultivating the other to create charged and haunting works.
Absence is at the heart of this work, from an empty throne to a meeting table with chairs pulled out in expectation or in the aftermath of an event. Indeed, the title of the exhibition makes an address but to whom? In these absences or ‘acts of invisibility’ the very process of memory comes forth. As Sami has said, ‘My paintings seek to capture the state of confusion that occurs because of the cut thread between reality and the imagination; between war narrated and war witnessed.” In the tension between the remembering and the forgetting, in the ambiguity of this, through light, shadow, and the banal, Sami creates a space for feeling to emerge.
Acknowledging the crucial role artists play in influencing and shaping other artistic practices, ‘The Artist’s Eye’ series asks those exhibiting in Gallery 1 to invite an artist of influence to present work in Gallery 2. In this instalment Mohammed Sami has selected the work of artist Bas Jan Ader entitled I’m Too Sad To Tell You (1971) to be presented.
Atsushi Kaga
8 November 2025 – 15 February 2026
This November, The Douglas Hyde is delighted to open a solo exhibition by artist Atsushi Kaga in Gallery 1 (coinciding with Dublin Gallery Weekend).
Educated in Tokyo and Dublin, Atsushi Kaga merges Japanese storytelling cultures from Manga and anime with the work of painters from Hasegawa Tōhaku (1539-1610) to James McNeill Whistler (1834-1903). Working across paintings, installations and sculpture, Kaga creates an alternate universe with a cast of characters exploring cultural politics, the quest for personal identity, and the struggles of daily life.
Layering the work with dark humour, social satire and existential philosophy, their uncertain surroundings are neither interiors nor exteriors, but inner realms. At their centre is the figure of “Usatchi” – the diminutive form of usagi, the Japanese word for rabbit – but also a near anagram for the artist’s name, Atsushi.
This commissioned exhibition transforms Gallery 1 into a temple invoking the four seasons of the year. A memento mori of sorts, it presents a series of encounters between one’s inner world and the natural phenomenon of the exterior world exposing the fragility of life and the fleeting nature of all things.
Acknowledging the crucial role artists play in influencing and shaping other artistic practices, ‘The Artist’s Eye’ series asks those exhibiting in Gallery 1 to invite an artist of influence to present work in Gallery 2. In this instalment Atsushi Kaga has selected the work of painter Stephen McKenna to be presented.
Opening times
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