Bill Harris is a visual artist, DJ and organiser based in Dublin. Their practice, usually beginning with a sound, looks into the politics, actions and people which can contribute to the arc of a particular noise; reflecting on the environments and atmospheres that are created for and by us through these layered relations.

Rhys Patterson, a 27-year-old originally from northeast England, now resides in Berlin. Their work explores a wide range of music, from traditional folk and queer hardcore to sound art and club music. Recently, they’re scoring for adult content, breaking away from conventional ideas of form and genre.

Forgetful Angel is a new live music project from Roo Honeychild. Inspired by a belief in the unique power of pop music to expose the emotional landscape of late-capitalist society, she takes on the challenge to do it herself. Sparkling synths and repitched vocals chart unknown territories between yearnful crushes, shyness of character and many very messy nights.

Cáit Fahey is a photographer and a DJ who has been honing her craft over the years, playing at parties across Europe and further afield. It’s hard to pin down her DJing to a single genre or style. Her selections are sentimental and unique, while always forward thinking; blurring the lines between past and present in exciting ways. The high energy she brings to the decks translates onto dancefloors big and small.

Nick Nikolaou (NickLibra) is a queer dance artist based in Dublin, Ireland. Their current research is around club and queer spaces and their communally charged energies. Tadhg Kinsella (Tadhg K) is a queer live electronic, DJ & visual artist. Experimenting with sounds from the acoustic and electronic realms. As a duo their work develops a kinaesthetic empathy through sound and dance. Exploring their emotions, elements and experiences of queer culture and lifestyle. Igniting a beautifully profound dialogue in a harmonious dance of existence.

This event is supported by The Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media through the Night-Time Economy After Hours at the Museum Scheme.